Sign in or 
- EasyEdit
- Edit tags
-
(what's this?What are these tools?
People just like you can add or edit the content on this site. If you want to try editing, but aren't ready to add to this site, try our demo area.
Read more about editing pages at Wetpaint Central.
) - Report page
Share this
Fashion, Design & Trends
For other uses, see Fashion (disambiguation).
Fashion is a term that usually applies to a person that is often wearing the 'in' clothes , but quite often applies to a personal mode of expression that may or may not apply to all. Inherent in the term is the idea that the mode will change more quickly than the culture as a whole. The terms "fashionable" and "unfashionable" are employed to describe whether someone or something fits in with the current popular mode of expression. The term "fashion" is frequently used in a positive sense, as a synonym for glamour, beauty and style. In this sense, fashions are a sort of communal art, through which a culture examines its notions of beauty and goodness. The term "fashion" is also sometimes used in a negative sense, as a synonym for fads, trends, and materialism. Current global fashion centers are London, Milan, New York, and Paris, but other cities like Amsterdam, Antwerp, Los Angeles, Rome, and Tokyo are also becoming well known.Clothing:
The habit of people continually changing the style of clothing worn, which is now worldwide, at least among urban populations, is a distinctively Western one. Though there are signs from earlier. In 8th century Cordoba (Spain), Ziryab, a famous musician and stylist migrant from Baghdad, introduced the first germ of fashion in Europe. He developed a sophisticated clothing fashion based on seasonal and daily timings. In winter, for example, costumes were made essentially from warm cotton or wool items usually in dark colours and summer garments were made of cool and light costumes involving materials such as cotton, silk and flax in light and bright colours. Brilliant colours for these clothes were produced in tanneries and dye works which the Muslim world perfected its production, for example, in 12th century Fez, there were more than 86 tanneries and 116 dye works. In daily timing Ziryab suggested different clothing for mornings, afternoons and evenings. Henry Terrace, a French historian, commented on the fashion work of Ziryab “He introduced winter and summer dresses, setting exactly the dates when each fashion was to be worn. He also added dresses of half season for intervals between seasons. Through him, luxurious dresses of the Orient were introduced in Spain. Under his influence a fashion industry was set up, producing coloured striped fabric and coats of transparent fabric, which is still found in Morocco today.” It can be fairly clearly dated to the middle of the 14th century, to which historians including James Laver and Fernand Braudel date the start of Western fashion in clothing.The most dramatic manifestation was a sudden drastic shortening and tightening of the male over-garment, from calf-length to barely covering the buttocks like the one in the pic on the right, sometimes accompanied with stuffing on the chest to look bigger. This created the distinctive Western male outline of a tailored top worn over leggings or trousers which is still with us today. The pace of change accelerated considerably in the following century, and women's fashion, especially in the dressing and adorning of the hair, became equally complex and changing. Art historians are therefore able to use fashion in dating images with increasing confidence and precision, often within five years in the case of 15th century images. Initially changes in fashion led to a fragmentation of what had previously been very similar styles of dressing across the upper classes of Europe, and the development of distinctive national styles, which remained very different until a counter-movement in the 17th to 18th centuries imposed similar styles once again, finally those from Ancien regime France. Though fashion was always led by the rich, the increasing affluence of Early Modern Europe led to the bourgeoisie and even peasants following trends at a distance sometimes uncomfortably close for the elites - a factor Braudel regards as one of the main motors of changing fashion. The fashions of the West are often believed to be unparalleled either in antiquity or in the other great civilizations of the world. Early Western travellers, whether to Persia, Turkey, Japan or China frequently remark on the absence of changes in fashion there, although they understood little of the cultures they were describing, and observers from these other cultures comment on the unseemly pace of Western fashion, which many felt suggested an instability and lack of order in Western culture. The Japanese Shogun's secretary boasted (not completely accurately) to a Spanish visitor in 1609 that Japanese clothing had not changed in over a thousand years. However in Ming China, for example, there is considerable evidence for fastly changing fashions, see Timothy Brook's book "The Confusions of Pleasure: Commerce and Culture in Ming China" (University of California Press 1999), it has a whole section on fashion in particular. Ten 16th century portraits of German or Italian gentlemen may show ten entirely different hats, and at this period national differences were at their most pronounced, as Albrecht Dürer recorded in his actual or composite contrast of Nuremberg and Venetian fashions at the close of the 15th century (illustration, right). The "Spanish style" of the end of the century began the move back to synchronicity among upper-class Europeans, and after a struggle in the mid 17th century, French styles decisively took over leadership, a process completed in the 18th century. Though colors and patterns of textiles changed from year to year, the cut of a gentleman's coat and the length of his waistcoat, or the pattern to which a lady's dress was cut changed more slowly. Men's fashions largely derived from military models, and changes in a European male silhouette are galvanized in theatres of European war, where gentleman officers had opportunities to make notes of foreign styles: an example is the "Steinkirk" cravat or necktie. The pace of change picked up in the 1780s with the increased publication of French engravings that showed the latest Paris styles; though there had been distribution of dressed dolls from France as patterns since the sixteenth century, and Abraham Bosse had produced engravings of fashion from the 1620s. By 1800, all Western Europeans were dressing alike (or thought they were): local variation became first a sign of provincial culture, and then a badge of the conservative peasant. Although tailors and dressmakers were no doubt responsible for many innovations before, and the textile industry certainly led many trends, the History of fashion design is normally taken to date from 1858, when the English-born Charles Frederick Worth opened the first true haute couture house in Paris. Since then the professional designer has become a progressively more dominant figure, despite the origins of many fashions in street fashion. Fashion in clothes has allowed wearers to express emotion or solidarity with other people for millennia. Which is why its absurd to suggest it didn't exist outside of Europe. Modern Westerners have a wide choice available in the selection of their clothes. What a person chooses to wear can reflect that person's personality or likes. When people who have cultural status start to wear new or different clothes a fashion trend may start. People who like or respect them may start to wear clothes of a similar style. Fashions may vary significantly within a society according to age, social class, generation, occupation sexual orientation, and geography as well as over time. If, for example, an older person dresses according to the fashion of young people, he or she may look ridiculous in the eyes of both young and older people. The terms "fashionista" or "fashion victim" refer to someone who slavishly follows the current fashions One can regard the system of sporting various fashions as a fashion language incorporating various fashion statements using a grammar of fashion.Fashion, by definition, changes constantly. The changes may proceed more rapidly than in most other fields of human activity.
An important part of fashion is fashion journalism. Editorial critique and commentary can be found in magazines, newspapers, on television, fashion websites and in fashion blogs.
Within the fashion industry, intellectual property is not enforced as it is within the film industry and music industry.Some observers have noted, however, that the relative freedom that fashion designers have to "take inspiration" from others' designs contributes to the fashion industry's ability to establish clothing trends. Tempting consumers to buy clothing by establishing new trends is, some have argued, a key component of the industry's success.
Sarnath |
Latest page update: made by Sarnath
, Mar 4 2008, 2:15 AM EST
(about this update
About This Update
new story by sarnath
- Sarnath
view changes - complete history) |
|
More Info: links to this page
|
There are no threads for this page.
Be the first to start a new thread.
